Tama hooooome
Burn is being used as the tune of commercial jingles for a Japanese company called Tama Homes, which appears to sell, well, homes.
Thanks to Gilles Snowcat for the info.
Burn is being used as the tune of commercial jingles for a Japanese company called Tama Homes, which appears to sell, well, homes.
Thanks to Gilles Snowcat for the info.
Parlophone will be re-releasing the Concerto’69, In Rock and Fireball repackaged as a 3CD box set on January 9.
Curiously, Concerto track listing includes both the Hush / Wring That Neck / Child in Time trifecta and the 3rd Movement encore, somehow all squeezed on one CD (the 2002 remaster came out on 2CDs clocking out of 90 minutes in total). Even more curiously, In Rock contains just 6 tracks of the original album with Living Wreck missing, and they come as 1995 anniversary edition remasters, but without any bonus tracks. Fireball appears to be the anniversary edition, complete with bonus tracks.
All these observations are contingent on the presumption that the tracklist released by the record company to online retailers has not been screwed up (which has happened before).
Thanks to Lutz Reinert for the info, and to Nigel Young and metaljim for pointing out missing Living Wreck.
BBC reports that Roger Glover has been made an honorary fellow of the South Wales University “in recognition of his contribution to music and the creative industries.”
Our warmest congratulations! Roger looks very learned in this outfit 😉
To watch presentation of the award and Roger’s acceptance speech, select Ceremony 5 from the menu on the right (maximize your browser if it’s not visible) and skip to 10:40. It lasts for about 10 minutes.
If the above does not work for some reason, head over to the USW UniLife and find December 2014 Treforest Ceremonies video.
Thanks to Elinor for the info and to Nigel Young for the video link.
Sunflower Jam and earMUSIC are going to release the 2012 show on CD and DVD on March 2, 2015. Titled Paice’s Sunflower Superjam – Live At The Royal Albert Hall 2012, it will be available in CD+DVD and DVD+CD editions. As far as we’ve been able to ascertain, both will include the same content, the only difference being in packaging.
This Sunflower Jam was held at the Royal Albert Hall on September 16, 2012. It was the second time the RAH hosted the event. Before 2011 “the Jam” was held at smaller venues in a semi-private manner (read: you had to buy an expensive seat at a dinner table).
This event was also held in the wake of Jon Lord’s passing, with the initial announcement made in March that year giving is a bit of hope about his treatment by billing his appearance at the event.
Much of the material has been released last year on The Sunflower Superjam DVD (*), the tree bonus tracks and addition of the CD being the main draw here.
As above plus further bonus tracks:
Thanks to Chris Hewlett for the info.
Joe Lynn Turner in an interview to Italian blog Spazio Rock spoke about the Rainbow reunion and said that what he previously touted as an impending event was essentially a figment of his imagination slightly exaggerated.
Here are the relevant bits:
Are you talking about it with Ritchie?
I hate to say it, but I’ve not spoken directly to him, but I have spoken to managers. I’m trying to convince his management that this is what we should do. That said, to be honest, I’m hitting a wall.
I don’t think Candice Night and Carole Stevens will agree easily…
I don’t want to speak badly. But the truth is the truth.
Read the whole interview in Spazio Rock
Thanks to mr.trinity and AlexBlackmore92 from deep-purple.ru forum for the info.
An interview with exuberant, name dropping bon vivant David Coverdale was featured on an episode of The Eddie Trunk Podcast that was posted on December 3. It was meant to promote Back to the Bone, but a long and entertaining interview covered a lot of history. My favourite bit is probably about Cozy Powell, who showed up one day to persuade Coverdale to join the Michael Schenker Group, but “after a night of fun and frolicking” ended up as a drummer in Whitesnake. Or is it the story of him reconnecting with Ritchie? (And for what it’s worth, he shares JLTs conviction that Blackmore will be rocking one day again.)
He has also mentioned that Whitesnake is working on a new album with release some tome in May-June next year, and a US tour to follow.
The interview starts at around 20:20 into the podcast and continues for about 50 minutes.
Use the gadget above or listen in your favourite mp3 player.
Thanks to Classic Rock for the info.
Bernie Marsden recently spoke to Rockpages.gr, promoting his solo album Shine. The conversation also turned to history.
On PAL:
Rockpages.gr: What do you remember from the Paice, Ashton, Lord album “Malice In Wonderland”?
Bernie Marsden: Ooh, I remember everything! It was one of the best things I have ever recorded! A very very good record, but people weren’t quite ready for it yet, because of the Deep Purple thing. I mean most of the fans were expecting Deep Purple Mk.VI, or VII… you know what I mean… and of course it was totally different. When I listen to it now, that’s me! I am really proud of it. It’s a really really good album, but have anybody heard it really? Hahaha!
…And the Whitesnake of old:
Rockpages.gr: Your work with Whitesnake in the ’70s and the ’80s, when you were playing with Micky Moody, I think gave an edge to the more traditional British blues sound. It made it harder, catchier and more mainstream. Have you ever thought about that, your contribution to that sound?
Bernie Marsden: Well, I think that when we did that at the time it was very conscious. Because of my association with Jon and Ian, and because I would always hear stories about Deep Purple and Ritchie (Blackmore)… when we got together with the beginning of Whitesnake we kind of made a conscious decision Micky and I. You know we weren’t interested in this “guitar hero” stuff. What we wanted to do was to play good rhythm and blues songs played really well. We could play well together, and we were more into the Allman Brothers, than in Deep Purple. And I could see David’s shoulders go “oh, it would be great!”. Because there were no ego problems, you know, who is going to be the star guitarist. Because we had two very good lead guitarists. We just played together. And I think that’s what gave the record a great identity. That and Martin Birch, a great producer who knew exactly where to put stuff in the mix. Sometimes Martin is a little bit overlooked when we talk about the old records. Martin was the extra member of Whitesnake, a very important guy!
Read more in Rockpages.gr
Thanks to Yiannis Dolas for the info.
An audience recording of Deep Purple gig in Bologna, Italy, on May 27, 1971, has surfaced on YouTube. The sound quality is, ahem, fair, but one can not ask too too much from that era.
Thanks to Claudio Grassi for the upload and letting us know.
Joe Lynn Turner spoke to Rockin’ Metal Revival promoting Rated X, although the interview (seemingly inevitably these days) slid onto the Rainbow reunion path.
There does not seem to be a way to provide a direct link, so you’ll have to select episode RMR 121-2 manually by selecting playlist icon
in the player above. The interview section starts around 18:15 into the episode and lasts for 20 minutes.
Thanks to BraveWords for the info.
Ian Paice and Deep Purple tributes Purpendicular have announced a new string of dates for 2015 in Denmark, Germany and France. See the dates on the poster below.
The mini-tour builds on the dates Ian played with the band this year in Germany and Czech Republic. The three shows receives favourable reviews and included these tracks:
Fireball, Bad Attitude, When A Blind Man Cries, Black Night, Cascades, Hell to Pay, Apres Vous, Child in Time, A Simple Song (intro only), Speed kind, Perfect Strangers and more – along with some of the bands own songs from their soon to be released debut album This Is The Thing
Watch video:
Ian Paice: People ask me why do I do these things? … I enjoy playing drums, I enjoy playing with these guys.
Highway Star – Ian Paice onstage with Purpendicular: