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The beginning of the end?

Deep Purple live at Romexpo (Bucharest, Romania 2017-05-13)

The band was in the hungry mood for audience energy :)))
Ian was in his best spirits muttering “superb” at least twice after the songs, giving a summary a dog (gie style) encounter from his rich memory bank at the end of Strange Kind of Woman :)., Vocally at his best too. Don was the darling of the show having incorporated a traditional Romanian melody in his number. Roger was very elegant in his black shirt delivering an incredible bass solo. The show has simple but effective video background support. One hour and 40 mins sharp.

Long live the gentlemen of hard rock!

Bedlam
Fireball
Living Wreck Bloodsucker
Strange Kind of Woman
Johnny’s Band
Blue guitar (Steve’s solo)
Uncommon Man
Surprising
Lazy
Birds of Prey
Hell to Pay
Don’s solo
Perfect Stranger
Space Truckin’
Smoke on the water

Encore:
Highway Star
Roger’s solo
Black Night
Hush

review by Eugen Thielmann

A theoretical anarchist

A lengthy — more than an hour — interview with Ian Gillan, done by an Italian radio station Radio Rock 106.6 in Portugal, published a couple of weeks ago, and promptly blocked by some copyright police run amok — is now finally available for viewing worldwide. As you can imagine, a lot of dirt can be overturned in such a long conversation. There’s quite a bit of background noise in the beginning, but it goes away after a while. Dig in!

Thanks to Yvonne for the info.

Some tea perhaps, with Alice?..

Alice Cooper, Manchester 2011; photo: Man Alive! cc-by-sa

Roger Glover is one of guest musicians on Alice Cooper’s new album Paranormal, due to be released on July 28 via Edel/earMusic:

The 12-track album has been recorded in Nashville with long-time collaborator Bob Ezrin and features a very special bonus CD – a mini-album consisting of three brand new songs written and recorded together with the original Alice Cooper band members Dennis Dunaway, drummer Neal Smith, and guitarist Michael Bruce, alongside carefully selected live recordings.

Paranormal also features special guest appearances by U2’s Larry Mullen Jr., ZZ Top’s Billy Gibbons, and Deep Purple’s Roger Glover.

Deep Purple, of course, not only share with Alice the producer and the record company, but will also be co-headlining their North American tour together this summer.

Thanks to BraveWords for the info; photo: © 2011 Man Alive! cc-by-sa

Butterfly Ball deluxe reissue

Butterfly Ball artwork

A PledgeMusic campaign is underway to raise funds for reissuing Butterfly Ball & The Grasshopper’s Feast:

The Butterfly Ball and the Grasshopper’s Feast is a concept album and subsequent live rock opera appearing in 1974 and 1975 respectively, based on the children’s poem of a similar title.

The work was originally conceived as a solo vehicle for Jon Lord to be produced by Roger Glover who had recently left Deep Purple. However, Lord proved too busy with Deep Purple and Glover took up the reins on his own. Using his connections, Glover recruited a large cast of noted rock musicians to perform on it, with a different vocalist for each character, including David Coverdale and Glenn Hughes.
On 16 October 1975, a one-off performance at the Royal Albert Hall took place. Again it had a star-studded cast of rock musicians, most notably Ian Gillan who was drafted in at the last minute and received a standing ovation on his entrance. He replaced an unavailable Ronnie James Dio who had commitments with Ritchie Blackmore’s Rainbow (although Dio did eventually get to perform the song at the Royal Albert Hall in 1999 as the guest of Deep Purple). Gillan had not performed since leaving Deep Purple in 1973. Also notable was the appearance of Twiggy as singer and actress and Vincent Price as narrator. Apart from most of the musicians involved in the studio recording, the concert also featured Jon Lord. The live concert was filmed and released in 1976 produced and directed by Tony Klinger.

Tony Klinger is thrilled with the quality of the creation of this Limited Edition Deluxe Edition Box Set which includes Double DVD (original film + 2017, re-edit, remaster), a Double CD (never released before), Reproduction Press Pack, 5 × 10″x 8″ glossy promotional photos, A3 reproduction Film Poster. Each Box will contain a number certificate signed by Tony Klinger.

Box Set Content

Double DVD (original film + 2017, re-edit, remaster)
Live Double CD (never released before)
Reproduction Press Pack
5 × 10″x 8″ glossy promotional photos
A3 reproduction Film Poster (different to the poster which we are offering for sale)
Signed and number certificate.

There will only be 250 Boxes manufactured.

There’s one little correction to the above, though:

The film was released in March 1977 (not in 1976) and premiered at the Odeon in Chelsea on 20th March.

The box set is available at £99.99, plus there’s a variety of formats and merchandise to satisfy all tastes and budgets.

A Region 1 DVD was released back in 2006, is now out of print, and new copies are fetching upwards of $80 on the market.

Thanks to Nigel Young for the heads up and the correction.

The magic fingers

Last Friday, May 5, Don Airey did a keyboard clinic in Milton Keynes, UK, here are a couple of videos demonstrating his prowess (like anyone had any doubts by now).

A longer video has also been posted by the Music Kavern, the store that hosted the event, on Facebook.
Continue Reading »

David the archaeologist

David Coverdale with Whitesnake in Shizuoka, October 10, 2016; photo © Kei Ono cc-by-nc-sa

Blabbermouth has several quotes from David Coverdale’s interview published in the May 2017 issue of the Sweden Rock Magazine (the one with Gillan on the cover).

About reissuing the hairspray era Whitesnake albums:

We had digital transfers made of all… ‘Slide It In’, ‘Slip Of The Tongue’, the ’87 album… ‘Cause they’re all coming up to these big-anniversary things now, so we’re looking at all the additional — the demos, etc. — all of the additional material for the hardcore fan, be it video or audio. And you can hear me writing the basic ideas of ‘Still Of The Night’ and that kind of stuff.

It’s a fascinating journey. But hearing the studio stuff… We were in the studio, I think it was ’85, ’86 — I can’t remember — working on the ’87 album, and in the studio, you can hear how really good those songs that Sykes and I had worked on. It’s just really cool. And we’re finding alternate vocals, alternate guitar solos and stuff. It’s a real fun journey. It’s like being a musical archaeologist — digging up the past in order to get the dust off it and present it and put it in a museum as part of special editions. It really is exciting.

Read more in Blabbermouth.

Come along with me

Some of you may have noticed that our site had been available over a much more secure, encrypted https protocol for a while now. This is our small contribution into the Encrypt the Web initiative. We are doing it to protect your privacy from intrusion. Couple of days ago we took the next step and made access to THS encrypted by default, while still keeping the plain old way (visible to the whole world) as a fallback.

Please report any problems either here in comments or by dropping a line to webmaster@thehighwaystar.com.

Six degrees of separation

While trying to google up the name of Paicey’s old man (no such luck, btw), I came across this amusing anecdote about John Mortimer (father of British actress Emily Mortimer and a prolific writer and barrister in his own kind). The story is told by his youngest daughter Rosie:

He was great friends with Jon Lord and Ian Paice, the keyboard player and drummer with the rock band Deep Purple. My mum and dad once went to see them play in Oxford and Dad, who was standing at the side of the stage drinking champagne from a plastic cup, burst into applause as Ian’s drum solo came to a crescendo.

A man standing nearby asked: ‘Are you Ian Paice’s father?’

‘Yes, I’m terribly proud of him,’ said Dad. From that moment on he always referred to his son the rock star.

The complete story is actually also interesting as it’s narrated from the point of view of a kid growing with a father who is much older than most fathers around her. Not unlike some people we might know.

Update (May 9): For what it’s worth, Paicey father’s name is Keith, and he was a pianist in the dance band called Rube Sunshine that played in the Nottingham area.

Thanks to Promark for the additional info (via Yvonne).

From Chuck Berry to Bach

Roger Glover, Chuck Berry, Jon Hiseman, Roger Glover once again, Paicey’s father, John McLaughlin, and J.S. Bach — what do they all have in common? Watch About the band part 3 to find out.
Continue Reading »

Waking up to the chickens at the House of Flowers

Ian Gillan talking (and jamming) with a Turkish musician Fuat Güner at the former’s place in Portugal. Big Ian says that the band have already done some writing for another new album and that studio time with Bob Ezrin is already booked for next February! As several people pointed out in the comments, Now what?! is indeed referred to as the latest album, so the interview is quite old and the new album sessions are, in fact, inFinite sessions.
Continue Reading »

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