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The irony of a fleeting nature of an iceberg

Japanese release of inFinite came out with extra liner notes (as is customary over there), written by renowned hard rock critic and adviser to the Burrn! magazine Masa Itoh. And the notes are so well written that we decided to present them to your attention here. Many thanks to Akemi Ono for the translation.


Time goes by way too quickly

“This is what hard rock is all about!” was my thought as my body trembled. It was Deep Purple’s first Japan tour in August, 1972. 45 years have passed since Deep Purple’s first concert in Japan. I cannot believe it. 45 years.

Everybody was in a state of confusion as tremendous waves of energy devoured the audience. The fierce musical interplay of the band was so provocative that the crowd rushed to the front of the stage. The encore was Speed King. The spontaneous play developed continuously until I felt like a little boat rocking in the ocean. When I looked up at the stage, Ian Gillan, with his long hair, was playing the percussions with all his heart and body. This concert was later released as “Made in Japan.” This album is considered to be a classic, and what makes it more meaningful is that it marks a monumental day in Japanese rock history.

Deep Purple returned to Japan again in June 1973, and again brought the audience to a state of confusion, but in a different way. There was dissonance among band members and they left the stage without doing an
encore. Some people in the audience became angry and violent and started throwing chairs around. This seemed to symbolize the end of Mark II.

This lineup gets back together again in 1984. I interviewed Ritchie in Sydney, and he was in a good mood and unusually talkative. However, issues between Ian Gillan and Ritchie continued, and they both left the band at different times.

When Deep Purple finally was inducted to the Rock and Roll of Fame, there were comments that it was way too late. The inductees were only main members from Mark I to III. Steve Morse and Don Airey were not inducted. Ritchie did not show up to the ceremony. The depth of the problems amongst the members and management was evident.

In 1994, Steve Morse joined Deep Purple. Don Airey joined in 2002. This line-up already has a history of 15 years. In the current world, where the lives of bands are very short, it is frankly amazing that a rock band, which started from the dawn of the age of rock, together with Led Zeppelin, still continues to play with new members. Moreover, the band’s breadth of activity is expanding. It is noticeable that Deep Purple is not only a classic rock band. Deep Purple’s audience is growing in number. Japan is a good example. In April 2014, Deep Purple sold out its tour which included a show at Nihon Budokan, which they had not played in 18 years. The live album recorded in Budokan at that time became popular world-wide. They returned to the Budokan in 2016, and again played to a full audience.

To someone like me, who is an old-time fan, I cannot help but think of the current line-up as the band without Ritchie. However, the younger generation rock fans who come to hear Deep Purple are different. They are here to see the current Deep Purple, and not trying to see the shadow of Ritchie. The young fans, who were not around to experience the “Made in Japan” concert, are here to experience the king of classic rock, Deep Purple, as they are. At least, that is the feeling that I get in Japan and what I know from England and Europe. So I assume it is a world-wide phenomenon. “inFinite”, Deep Purple’s 20th album, was released in this kind of a positive atmosphere.

There were two mysteries regarding this album. The title “inFinite” means “forever” or “endless”. However, the “F” in “Finite” is emphasized, and “Finite” means there is a limit. Also, the tour is called “The Long Goodbye Tour”. Is this a deliberate message from the band? The fans were agitated.

But when you think about it, music could last forever, but there is an end to all human lives and no member can play forever in Deep Purple. Considering the band members’ age, this could very well be their last album, and they probably could not tour for 10 more years. Jon Lord, one of the founding members, passed away in 2012 at the age of 71. Ian Gillan and Roger Glover are both 72 now and nearing the end of their touring career. With these facts in mind, fans could not pass the album and tour title as a kind of British joke, and therefore continue to have active and loud discussions about what it is all about.

Only Deep Purple knows the future of Deep Purple. However, the level of quality of this album makes you wish that their future will continue forever. They have come up with an album so wonderful that maybe they wanted to give it cryptic name that could be interpreted many ways.

Sorry to say, but ironically, the two members who are not part of the classic lineup — Don and Steve — are the powerful engines that make the tunes in the new album function. It is obvious from the opening tune, “Time for Bedlam”. Steve’s slide guitar and Don’s organ follow the footsteps of the golden ages of Mark II, almost like paying homage to the band itself. The Gregorian chant-like arrangement then brings in a fresh gush of air. The merger of “tradition” and the “innovation” inherent in this tune is alive throughout the album, and I believe is the most important point of the new album. The second single, “All I Got Is You”, shows a brilliant sense of pop and increases the contemporary attractiveness of the band. This experiment culminates in “The Surprising”. This epic song, with a cinematic outlook of the world, is very colorful, but is “traditional” at the same time.

It is interesting that they chose the Doors’ cover “Roadhouse Blues” as their ending tune. This song has been covered by numerous artists, and is almost a song of praise for bands which spent most of their life touring. It makes you feel like this may be the last album.

The album is like an essence of the early 1970’s when Deep Purple was growing rapidly as a hard rock band. Whether this was intentional or not, there is a lot of good chemistry within the band. Bob Ezrin is really the perfect producer for this kind of music. Whether they are paying homage to “In Rock” which features Mount Rushmore, the artwork of this album shows the five members carved in huge glaciers. The glaciers may be melting by global warming. Glaciers vs. the hard rocks of Mount Rushmore. Fans may need to analyze this comparison as well.

Setlist poll: the inFinite edition

Us fans, have a most peculiar favourite pastime — telling the band what to do, what not to do, which songs to play, and which not. In particular, every Tom, Jane and Joe know best what the ideal setlist should be, y’know, the one that “surely pleases everybody”.

Despite the fact that the band repeatedly stated that they will not listen to any outside opinions and will choose the songs to play on the upcoming tour that will feel right to themselves, if we don’t voice our opinion, they won’t have much not to listen to, right?

What songs from inFinite would you like to hear live? (choose up to 5)

  • Time For Bedlam (19%, 684 Votes)
  • The Surprising (17%, 604 Votes)
  • All I Got Is You (16%, 576 Votes)
  • Birds Of Prey (15%, 550 Votes)
  • Johnny's Band (7%, 267 Votes)
  • Hip Boots (7%, 250 Votes)
  • One Night In Vegas (7%, 234 Votes)
  • Get Me Outta Here (4%, 128 Votes)
  • On Top Of The World (3%, 100 Votes)
  • Roadhouse Blues (3%, 99 Votes)
  • Paradise Bar (2%, 73 Votes)

Total Voters: 834

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Ding-dong, we have a winner

German Albums chart for April 14, 2017

The new Deep Purple album inFinite has achieved top position in the German album charts for the week of April 7-14. It follows on the success of Now what?!, which also got to number 1 upon its release. This is the eighth number 1 Deep Purple album in the country, and the last time two consecutive studio releases went both to number 1 spot was in 1972, when Machine Head followed Fireball.

Congratulations to everybody involved.

We are summarizing inFinite chart positions around the world elsewhere.

Thanks to Fabian Sterlzig, Georgi Zbirchev, Nigel Young, Claus, and Giorgi for the info.

Saturn exclusive for inFinite

inFinite Saturn exclusive cover

German brick-and-mortar and online retailer Saturs carries a version of the new album that is exclusive to the chain. It contains two bonus tracks — live versions of Smoke on the Water and Black Night recorded during the Now What?! tour. Bar code number for this item is 4029759119340, while the store SKU number is 2229044. It appears that online orders can only be shipped to an address in Germany.
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Paicey and Roger on Radio Bob

Ian Paice and Roger Glover will appear on Radio Bob! in Germany tomorrow, April 16 between 10 am and noon CEDT. Said radio also broadcasts online worldwide (albeit it is not clear how much of the show will be understandable to non-speakers of German).

Check out their utterly hilarious Jug band performance.
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inFinite track-by-track


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Purple ballet in NYC

Pascal Rioult  speaks about his Purple dance

A dance performance, set to the music of Deep Purple is being staged in New York. Titled Fire in the Sky, this is a brainchild of choreographer Pascal Rioult:

The new work [Fire in the Sky], my first rock and roll piece, is set to the music of Deep Purple. This is the music that I danced to in the 70s in clubs, music that I really loved. The journey to becoming a professional dancer and choreographer and artistic director really started in those clubs.

Fire in the Sky is a life’s work in dance. A nostalgic homage to the whimsy of youth, Fire in the Skye calls a life lived in constant motion. Set to Deep Purple’s dynamic songs “Smoke on the Water” (1973), “Child in Time,” (1970), “Lazy,” (1972), and “Highway Star” (1972), the new performancecaptures the spirit of an artist fully realizing his craft.

You can check out the video announcement.

The performance will run at the Joyce Theater in New York City daily between Wednesday, May 31, and Sunday, June 4. Tickets can be booked via the theater’s website.

Thanks to Nigel Young and BWW Dance World for the info.

Purple special on UK radio

inFinite banner; image courtesy of Edel/earMUSIC

On Thursday, April 13th, there will be a one hour radio special on the new Deep Purple album inFinite with interviews with Ian Gillan, Roger Glover, Ian Paice, and Don Airey, plus several tracks from the album. The show is on the air between 9 and 12 pm with the Deep Purple special in part two. It will broadcast on GTFM in South Wales, BCFM in Bristol, and online at Rock Radio UK.

[Update Apr 15] The show did not contain live interviews, but rather prerecorded comments from the band that were distributed by the record company and you may have heard elsewhere.

Listen to the show (Purple segment starts about 5 minues in)

Thanks to Andy Fox and Nigel Young for the info.

Lazy power trio

It is next to impossible to perform Lazy without Hammond. Or some other kind of keyboards. Right? Right?…
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inFinite in the charts

Attention: this article is being continuously updated with new information.

Tell us how inFinite is doing in your part of the world (preferably with prooflinks for confirmed chart positions). This post serves as an inFinite clearing house for chart positions and will be updated regularly.

The album was released worldwide on April 7, 2017.

Chart positions summary

Countries are sorted by the highest position in the most senior chart for which we have data.

Germany

Switzerland

Czech Republic

Poland

Italy

Norway

Hungary

Finland

Austria

Sweden

Belgium

Slovakia

  • SK Albums Top 100: #8 (week 14 of 2017), #5 (week 15), #34 (week 16), #17 (wk 17), #32 (wk 18), #31 (wk 19)

UK

Netherlands

  • Album Charts: #6 (week ending Apr 15) — highest album position since Who Do We Think We Are, #45 (Apr 22), #52 (Apr 29), #87 (May 6)
  • Vinyl top 33: #5 (Apr 15), #14 (Apr 22)

Spain

Worldwide

Greece

Croatia

France

Brazil

  • Top 100 Albums: #18 (week 16 of 2017) — NB: dubious source
  • iTunes daily chart : #4 (Apr 7), 10 days in top 100 (as of May 1)

Australia

Portugal

Denmark

Canada

Ireland

Japan

USA

South Korea

  • Album Chart: n/a (week 16) — narrowly outside top 100
  • International Albums Chart: #12 (week 16), #63 with 111 sales (cumulative for April)

Thanks to Nigel Young, Akemi Ono, WhiteWater, Daniel, podzilla, kazz, DP Fan, Andrey Barabanshchikov, Rob de Vos, gatibogou, Mathieu, Juri Renko, Mirko, Fledermaus, Bjørn Sund, Yance, Fabian Sterlzig, Georgi Zbirchev, Denis Zuercher, RAY, Aris, and all others whom we forgot to mention — our apologies, for the info.

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