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How Coverdale “got packaged” with Page

An industry insider Mitch Weissman recently shared on Lefsetz Letter this tidbit of history on how the Coverdale/Page collaboration was put together:

I almost had [Jimmy Page] and Billy Squier unite for a record in the 80’s. Jimmy and I were chatting in NY’s China Club under the Beacon Theater in ’89. We had become friendly of late. While discussing his next move, I commented on how “Wasting My Time” from Outrider reminded me of “Everybody Wants You,” to which Jimmy said “That’s what I based it on. I love that song!”

So, I said “Let me call Billy.” We both lived in the area. We were very good friends and sometime collaborators. So I called him and said “Jimmy wants to talk to you.” So over he comes, they sit and talk, and I leave them alone. When I returned to the table an album project had been decided upon. And we all enjoyed the rest of the evening together.

So what happens? John Kalodner (Geffen) gets wind of the idea and promptly packages the 2 label mates together, resulting in a record that made Robert Plant bristle. Coverdale/Page, a really great “Led Zeppelin” album.

Can only wonder what the Squier/Page that might have been.

Thanks to Mitch Weissman for the permission to reproduce the story.

Not wearing spandex

Graham Bonnet in 2005; photo © Johnsyweb cc-by-nc-ndIn his September 2013 interview with Songfacts Graham Bonnet talked about the guitar player luminaries he had worked with during his career: Ritchie Blackmore, Yngwie Malmsteen, Steve Vai, Michael Schenker. He took time explaining how he got into Rainbow and how he got out of it:

Songfacts: If you think back to 1985/1986, it seemed like the majority of heavy metal bands had spandex and huge hair.

Graham: Yeah. That was not where I was at. I got roped into being a so-called “heavy metal singer.” When I was living in England, I was doing R&B and pop stuff, and I was very much into ’50s music, so I had the suit and the tie and the bend-back hairdo from the 1950s. I was into that very much, the 1950s sort of thing.

I was given the chance with Rainbow and I went over there and auditioned with them. When they gave me the job, I wasn’t sure I should take it, because I didn’t think I fit in at all. I didn’t want to grow my hair long, wear spandex and all that kind of thing. It’s not me. I just didn’t want to do that. That’s a uniform I could never fit.

Songfacts: How did you originally cross paths with Ritchie Blackmore?

Graham: That was through Roger Glover. One of my friends, Mickey Moody, was playing for Whitesnake at that time, and I think Roger was producing their album. This is 1970-something. Mickey told Roger that I was doing some solo stuff, which was successful in places like Australia and New Zealand. Weird places – everywhere but England. Roger wanted to know what I was doing, so they invited me over to this chateau on the border of Switzerland and France, and they gave me a song to learn. I had to learn a song called “Mistreated,” which I didn’t know anything about. I didn’t know anything about Rainbow at all, to be honest with you. So I had to buy the albums and learn one song as an audition.

Roger phoned me up and said, “Will you come over and do a song with us?” And so I went over there and sang at them and they gave me the job. That was it, really. Then I went home, thought about it, and I said to my manger, “I’m not right for this. I’m not like these other guys, long hair and all the rest of it. I don’t fit.” But I did in the end.

Songfacts: Would you say that played a part in your not staying very long in the band, that you felt like you didn’t really fit with that band?

Graham: Yeah. It came to a somewhat slow end. Because Cozy Powell [drummer] left the band before we started rehearsing for the second album in Copenhagen, and rehearsals were with Bobby Rondinelli, the new drummer who came in. Cozy was a very close friend of me and Don Airey, you know. We’re very close, and when he left, Don was threatening to leave. Ritchie didn’t sometimes turn up to rehearsals, so it would be me and Don and Bobby Rondinelli there, and sometimes not even Roger Glover.

They’d look at each other, “Well, what are we doing?” “We’re rehearsing for the next album.” “Oh, okay.” And we only had one song, just a song that Russ Ballard wrote, called “I Surrender.” That’s the only song we had. So we’re sitting around looking at each other and Ritchie would come in for like half an hour and plonk on his bass pedals or whatever the hell, and then he would go. It was unproductive. The thrill had gone, so to speak.

Bobby Rondinelli really wanted to fix it and get on with it, but we just didn’t gel and nothing was happening, so I went home. I went back to LA and the management called me and said, “What do you want to do?” I said, “Well, nothing’s happening.” I’d put down some backing vocals to the song “I Surrender,” that’s all I’d done on this album, because it was not going anywhere. So he said, “Do you want to sing the songs you like and have another singer sing the songs you don’t like?” I said, “Well, there’s no songs there. And two singers – no, that won’t work for me.”

So I left the band. That was it.

Songfacts: On the Rainbow album, you didn’t write any of the songs, right?

Graham: No. Well, the melodies I did, but I was never credited for.

Songfacts: I would also be curious as to what you could do with the classic Rainbow lineup. But I don’t think that Ritchie Blackmore does rock music anymore.

Graham: I don’t see that happening ever again. He’s gone his own way again. He’s got his own music he’s gone into that he really loves to do. He was a big Jethro Tull fan, I always remember that, and he’s gone that way with his wife, more so the medieval deal. He’s found his niche, so to speak, and I don’t see him ever going out there and playing “Smoke on the Water” or “Since You’ve Been Gone” again. It’d be great, though. I’d love to play with him again. He’s a good friend and a good guy. I got to know him really well. He’s not what people think he is.

Read more on Songfacts.

Gillan to perform in his home town

Photo © 2007 Nick Soveiko

Blackmore Vale Magazine (I kid you not) reports that Ian Gillan offered his services to perform at the Guitars On The Beach festival in his home town of Lyme Regis. The event is essentially a mass gathering of guitar players not unlike the ones that set the world record, albeit not on quite the scale: last year 2,267 guitarists set the UK record, with this year more than 3,000 having already signed up. Smoke on the Water is one of the songs to be played, along with Buddy Holly’s Rave On, Rocking All Over The World by Status Quo, 500 Miles by The Proclaimers, Valerie by The Zutons, Sharp Dressed Man by ZZ Top, Sweet Home Alabama by Lynyrd Skynyrd, I Wasn’t Born To Follow by The Byrds and Summer Holiday by Cliff Richard, “the last two depending upon finding a bunch of Rickenbackers and a London bus.”

When Big Ian heard about the event, he offered to sing Smoke, this giving a chance to 3,000 budding guitarists to brag about playing guitar for Ian Gillan.

The event will be held on the beach in Lyme Regis, UK, on the weekend of September 6-7th.

Thanks to Andrey Gusenkov for the info.

Dm, Gm, Cmaj, Amaj

Guitar World has an article on Yngwie Malmsteen’s 80s cover of the Highway Star which contains an undated quote from Blackmore about the two solos on the track, both becoming legendary:

I wrote that out note for note about a week before we recorded it. And that is one of the only times I have ever done that. I wanted it to sound like someone driving in a fast car, for it to be one of those songs you would listen to while speeding. And I wanted a very definite Bach sound, which is why I wrote it out—and why I played those very rigid arpeggios across that very familiar Bach progression — Dm, Gm, Cmaj, Amaj. I believe that I was the first person to do that so obviously on the guitar, and I believe that that’s why it stood out and why people have enjoyed it so much.

Jon Lord worked his part out to mine. Initially, I was going to play my solo over the chords he had planned out. But I couldn’t get off on them, so I made up my own chords and we left the spot for him to write a melody. The keyboard solo is quite a bit more difficult than mine because of all those 16th notes.

Thanks to Andrey Gusenkov for the info.

Essener Pop und Blues revisited

Longer clips from the Internationales Essener Pop und Blues Festival in October 1969 have surfaced on YouTube. We posted the first instalment before, but those are no longer available. The new clips have about 10 minutes of Mandrake Root and 7 minutes of Wring That Neck with better sound.


Thanks to Igor Gillan-fan for posting these and to Joerg and Scott W. for bringing them to your attention.

Hughes on Spark TV

Glenn Hughes is still busy doing interviews and promoting California Breed. In the course of this, he spoke to SparkTV (who really should brush up on their phone interview recording techniques):

Thanks to Blabbermouth for the info.

California Breed announce UK dates

California Breed; photo: Joe Lester, image courtesy of Frontiers Records

Glenn Hughes’ new band, California Breed, has announced 5 dates in the UK in late November / early December. It appears that they will be opening for Slash, and thus playing bigger venues. Tickets are already on sale. Full details in our calendar.

Light my fire

Classic Rock Salute to The Doors cover art; image courtesy of Cleopatra/Purple Pyramid

Ian Gillan, Steve Morse, Joe Lynn Turner, and Graham Bonnet, along with extravaganza of classic rock luminaries, contributed to the Light My Fire – A Classic Rock Salute To The Doors CD which is due out on July June 24 via Cleopatra imprint Purple Pyramid Records.

Steve Morse says:

[The Doors were] a soundtrack, literally, for some of the most memorable times, good and bad, that I experienced as a young teen. Like many of my favorites, they were adventurous, improvising, unafraid of what the media might say, and all with a sort of lyrical freedom that still stands up today.

Gillan sang Light My Fire, accompanied by none other but Rick Wakeman and Steve Howe from Yes. His “trackmates” add to the praise. Wakeman:

[Light My Fire] has always been one of those iconic tracks that keyboard players listen to because of the fact that there are so few tracks with keyboard/organ solos on them compared to our six-stringed buddies. It’s also a solo area that is totally open to interpretation so whatever you do is not comparable to the original, so it was an absolute joy to do.

Howe:

I was delighted to play on this album as The Doors were a band I heard a lot as everywhere I went in the late ‘60s their music was playing, at friend’s, in restaurants, gigs and bars throughout London. I’m sure I saw them play at Middle Earth, a then hip club. Then, when the reissue more recently came out, I got totally back into their music, especially Light My Fire.

Track listing:
  1. L.A. Woman — Jimi Jamison (Survivor), Ted Turner (Wishbone Ash) and Patrick Moraz (Moody Blues)
  2. Love Me Two Times — Lou Gramm (Foreigner), Thijs van Leer (Focus) and Larry Coryell
  3. Roadhouse Blues — Leslie West (Mountain), Brian Auger and Rod Piazza
  4. Love Her Madly — Mark Stein (Vanilla Fudge) and Mick Box (Uriah Heep)
  5. Riders On The StormJoe Lynn Turner, Tony Kaye (Yes), and Steve Cropper (Booker T. & The M.G.’s)
  6. The Crystal Ship — Edgar Winter and Chris Spedding
  7. Intro (People Are Strange) — Keith Emerson, Jeff “Skunk” Baxter and Joel
    Druckman (John Fahey)
  8. People Are Strange” — David Johansen (NY Dolls) and Billy Sherwood (Yes)
  9. Touch Me — Robert Gordon, Jordan Rudess (Dream Theater), Steve Morse and Nik Turner (Hawkwind)
  10. The Soft ParadeGraham Bonnet, Christopher North (Ambrosia) and Steve Hillage (Gong)
  11. Hello, I Love You — Ken Hensley (Uriah Heep) and Roye Albrighton (Nektar)
  12. Spanish Caravan — Eric Martin (Mr. Big) and Elliot Easton (The Cars)
  13. Alabama Song (Whiskey Bar) — Todd Rundgren and Geoff Downes (Yes / Asia) and Zoot Horn Rollo (Captain Beefheart)
  14. Break On Through (To The Other Side) — Mark Farner (Grand Funk Railroad) and Chick Churchill (Ten Years After)
  15. Light My FireIan Gillan, Rick Wakeman (Yes) and Steve Howe (Yes)
  16. The End — Pat Travers and Jimmy Greenspoon (Three Dog Night)

Thanks to BraveWords for the info.

Paicey appearances in Italy

Ian Paice. Photo © 2007 Nick Soveiko, released under cc-by-sa-3.0.

[Updated Jun 24] Ian Paice will play a couple of three shows in Italy this summer.

On June 23 he will perform with the Tolo Marton Band at the Marghera Estate Village in Mestre (near Venice). The night before he will appear at a charity meet’n’greet event at the Hard Rock Cafe Venice to raise money for cancer research.

Who: Ian Paice
What: charity meet’n’greet appearance
When: June 22, 2014, at 10pm
Where: Hard Rock Cafe, Bacino Orseolo, San Marco 1192, Venice

Who: Ian Paice
What: performance with the Tolo Martin Band; opening act: Break All Out Band (a tribute to Gary Moore)
When: June 23, 2014, at 9pm; doors open at 7pm, opening act starts at 8:30pm
Where: Marghera Estate Village, Parco San Giuliano, Mestre-Venezia
Tickets: €5 standing and €10 seated

On July 4 he will play with the R.A.I.N. tribute band at the Brudstock Festival which will be held near Vigonovo di Fontanafredda.

Who: Ian Paice
What: performing with the R.A.I.N. tribute band
When: July 4, 2014
Where: near Vigonovo di Fontanafredda
Tickets: free admission

On July 22 he will perform with The Perfect Strangers tribute band in Civitanova Marche, headlining the second Civitanova In Rock festival. Other tribute bands are also on the bill, albeit none of them are expected to have guests of this calibre.

CIVITANOVA IN ROCK 2 FINALE VERTICALE pubblicita'

Who: Ian Paice
What: headlining Civitanova In Rock with The Perfect Strangers tribute band
When: July 22
Where: Piazza XX Settmbre, Civitanova Marche
Tickets: free admission

Thanks to Ivano Bosello and Francesco Caporaletti for the info.

Writing in Portugal

Deep Purple in 2013; photo: Jim Rakette

It’s been a slow news week, but finally here’s a good one.

Swiss newspaper Basellandschaftliche Zeitung published an interview with Ian Gillan, in which he said (in reverse translation):

Good morning, Mr. Gillan, they told us you were in Portugal. May we ask what are you doing?

Ian Gillan: The whole band is there. We have a studio in the Algarve and working on new songs. In the evening we take a sip of good red wine and enjoy the tranquility.

The interview is not dated, but the Basel gig on July 11 was mentioned, so it must be at least this year vintage. It looks like the band is making good on the promise to get back into the studio soon for a follow up to Now what?!

Thanks to Andrey Gusenkov for the info.

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