The Dead Daisies have announced a short tour of Britain and Ireland coming December 2022. They are headlining a string of shows with FM and Graham Bonnet as support. Graham will be the sole support on the two Irish dates, promising an “exclusive acoustic performance”. Tickets are already on sale, further details in our calendar.

Ear Music has released a Deep Purple concert from Mumbai, India on April 8th, 1995. The show was professionally recorded for TV, and was released on VHS and DVD video around year 2000 – or Y2K as those of us who remember it might refer it as.
The concert was later also released as part of the «Around the World» DVD set.

The new release is the first time the set is officially out on vinyl, and probably also on CD, to the best of my knowledge. Both versions come with the DVD from the show. «Fireball» is omitted on the vinyl and CD versions.

First of all – widescreen on TV was still a few years off from becoming usual in 1995. This is a 4:3 format (SD) video.
But it is a pro job, multiple cameras, rather good editing (although the «Copenhagen 72 Syndrome» – seeing other band members than the guy who’s actually soloing – is prevalent).

The video seems to be lifted straight off previous releases. This DVD seems to be straight Dolby stereo. Not very punchy sound, but OK.

I think it’s more or less the complete show, besides the start of “Fireball” being clogged by the press conference jitter. (Steve Morse says he’ll probably be playing parts of the Blackmore solos far closer to studio versions than Blackmore ever did, before going off on stage to do no such thing, apart from those runs on «Highway Star» and «Smoke on the Water».)
I think Jon’s keyboard solo and Steve’s guitar solo are cut – they seem much shorter than normal – but I’m not sure.

Anyway – what do we get?
This is unique footage from the few touring dates that «Mk Morse» did in 1995. After the summer tour in Europe in 1994 with Joe Satriani on guitar, the band did a couple of gigs with Steve Morse in November 1994, two in Mexico and one in Texas.
Then they played two gigs in Florida in early March 1995, when they were recording what would become the masterpiece «Purpendicular». Next up where two concerts in Seoul, South Korea, then nine dates in South Africa in March and April, before they headed off to India, where they played Mumbai and New Delhi.

I’d received tapes from the Florida gigs before I heard this concert. I can’t remember now if the South Korea gigs were circulated on video or just tapes, but I had those as well. And the unplugged South African radio session, with an instrumental version of what would become «The Aviator», and four other songs.
So I’d heard the concerts where early versions of «Vavoom: Ted the Mechanic» (often dubbed as «Ken the Mechanic» on bootlegs back then), «The Purpendicular Waltz», and, sadly just once, «Soon Forgotten» were played.

We only get “Purpendicular Waltz” from the then new songs here, but that song is very well played.

In retrospect, watching «Mk Morse» live in this early stage is interesting. Not only because Steve Morse hadn’t acquired the fan that kept his hair looking lit at this time. This is a multi camera job, so we get great shots, like Ian Gillan at the back with the congas, watching Steve Morse soloing with a big smile on his face. Ian’s pleasure of sharing the stage with Steve is evident throughout the show, right down to him ad-libbing (what I think is) «What’s that you say, I’ve got Steve re-Morse» on the last verse of «Lazy».

There’s incredible close-ups of Jon Lord’s fingers dancing across the keys now and then. We get to watch Jon in the foreground of the screen, watching Steve laying down a run Jon then has to mimic during «Speed King», and nailing it, even though Steve is way outside the territory Ritchie used to stay in.

The synchronization of the sound is not perfect. Especially during close-ups of solo performers, I notice that there’s a lag between what we hear and what we see. As it’s been twenty-odd years since I last saw this, I don’t know if the original was like this as well. This is my main gripe with the product.

The performance is good, but we notice it’s early days for the five of them. Ian Gillan is mostly in good voice, perhaps struggling more towards the end of the show. Seeing Steve’s playing now is very interesting. At the time I was still adjusting to this new guitarist. I see now, after a quarter of a century with Steve as Deep Purple’s guitarist, that he plays effing well – for instance during the solos on «Pictures of Home», which are outstanding.

For fans of Deep Purple after the golden age of the 70s, this is music history well worth diving into. It’s documentation of a transitional phase for Deep Purple. Even though the two concerts in India were the last in 1995, they were a more coherent band when they hit the road for the «Purpendicular Tour» proper in 1996.

(I’d love to have an official, great sounding recording of the first leg of the «Purpendicular Tour» btw, while they still were playing upwards to seven of the songs from that album, if my memory from Brixton in March 1996 serves me well. It might, but who knows.)

On a closing note: While «Child in Time» is performed here, probably for the only time ever in Mumbai, there’s no mention in sleeve notes of Jon nicking the chords from It’s a Beautiful Day’s “Bombay Calling”, which this album is named after.

Is this release worth having? Definitely. If you have the DVD already, you’ll have to consider if you need a physical audio copy as well, of course. Your mileage might vary.

Trond J. Strøm

Many people assumed so, but it is only today, September 16, 2022, that Simon McBride became a permanent member of the band. A message to that effect was released today:

Following the news in July that Steve Morse will be stepping back from the band, after more than a quarter of a century, Deep Purple announce that, following an abundant Summer of touring, Simon McBride will join the band permanently.

Collectively, the band stated “We are thrilled that Simon has agreed to join. Simon’s playing is up there with the greats. Of course, Steve can’t be replaced, the same as Ritchie, and Steve has a long legacy with Deep Purple. In Simon we have not found a replacement, but an extraordinarily talented and exciting guitarist in his own right. The reception from audiences over the Summer has already been great and we are looking forward to the forthcoming dates in the UK and Europe across the rest of the year. It is clear that Simon also holds great respect for those before him. We are all excited for what the years to come hold for the band.”

Simon stated “I’m very happy to be asked to join the band, at the start of the pandemic if someone would have said to me that I was going to be the new guitarist in Deep Purple I would have just laughed, but here we are and it’s happening. Deep Purple has a history of great guitarists so I’m very honoured to be asked to be part of that. They are all amazing musicians and more importantly, I have become very good friends with the guys so I can’t wait to continue touring and even perhaps some writing and recording.”

Thanks to Mike Whiteley, AndreA, and Mad Hatter for the info, and to Wormdp for pointing out the typo.

Image credit: Ueli Frey

A fairly obscure 1970s band called Heartbreaker recorded some demos at the Kingsway Studios run at the time by Ian Gillan, with the man himself and Colin Towns making guest appearances on several of the tracks. Said demos have now been issued as a limited edition CD album. The label blurb reads:

Heartbreaker was formed in 1973 by Steve Annetts (who later joined NWOBHM band After Dark), Ian Foster, Dave Sexton, Roger Lewis, Keith Scutter and Andy Hill on keyboards. The band seemed to be on the right track when Johnny Glover (ex-Free/Spooky Tooth manager) and Richard Griffiths (Island/Sony Music/Virgin/etc.) picked them up and a deal with EMI was secured. After 1976 there were a few line up changes (Tiff Turtle & Rob Snook on guitars). Glover was gone by 76 and Ian Gillan steps in recording several tracks in his studio with guest appearances on a few tracks of Colin Towns (Gillan’s Keyboard player) and Mr. Gillan himself. This partnership with Gillan marks the epitome of the band but a record deal didn’t materialise: times were changing, all major labels in the UK were after Punk bands) and the band demotivated and vanished for lack of support. For the first time ever, the Heartbreaker album made up of a collection of demos, sees the light of day, including some earlier 1974 recordings as bonus featuring the original band line-up. Presented in a 16-page booklet and carefully remastered, this is a true gem for all fans of classic British Rock.

The formal description of the release from the label’s online store provides further details:

Ian Gillan does backing vocals on Angel in Rags and plays percussion on Heartbreaker.

Colin Towns plays keyboards on Angel in Rags and Kingsway Reprise.

Thanks to Steve LaRocque for the heads up.

There’s a new digital release of various bits and ends from the Now What?! sessions. It is called Extras: The NOW What?! B-Sides And Bonus Songs and can be ordered via this link.

Says the band:

The idea of this compilation started after sharing previously released ‘rare tracks’ on a private playlist. We believe it is a very interesting listen for all the fans that like to go deeper into the bands production process.

The record company supplied a blurb describing contents of the compilation as follows:

1. Hell To Pay (Radio Edit): This edit was the first single released before the album came out. It was available as CD-Single and 7”, together with All The Time in The World. A great rock song, played live nearly every night during the NOW What?! and inFinite tours.
2. It’ll Be Me: This cover version of a Jerry Lee Lewis classic was added as bonus track on many editions of the NOW What?! CD. Compared to other songs on this compilation it will be an easy one to find on physical formats.
3. All The Time in the World (Radio Mix Edit): This version was a mix that became ready before the full album was finished. It is a little shorter than the album version and it features extra percussions and less guitar. The song obtained some radio airplay in various countries, paving the way for the album’s success. Listening back to it, we still believe that it is a Purple classic, and was played live occasionally during the NOW What?! tour. This version was released as B-Side on the Hell To Pay CD single and 7” vinyl.
4. First Sign Of Madness: This studio song did not make it to the final album but it is a fantastic rock track; previously included on the Gold Edition of NOW What?! as well as the Vincent Price single on CD-Maxi and 7”.
5. + 6. Uncommon Man & Above and Beyond – instrumentals: These two songs were inspired by the late, great Jon Lord, who sadly passed away during the recording of the album. While the lyrics are a very important part of both songs, these instrumental versions show the beauty and the finesse of the instrumental parts.
7. + 8. Après Vous and Hell To Pay – instrumentals: Previously released only as digital downloads and B-Side of the Out of Hand 10” Vinyl single. The vinyl 10” is not an easy one to find and the songs are available to stream for the first time.
9. Green Onions / Hush (Live in Gaevle): This great live version was mixed specifically to be released as B-Side of the Above and Beyond CD-single (also available as purple 7” vinyl, with a different B-Side). It shows the joy and energy that the band brought to the NOW What?! tour and gives a taste of the atmosphere on-stage and in the audience.

Thanks to BraveWords for the info.

After Deep Purple wraps up their touring in November, Ian Gillan will do a short tour of Spain with an orchestra. It will be Prague Philharmonic that recently did a couple of similar gigs with JLT, once again conducted by Friedemann Riehle. Six dates are already on sale, with a possibility of more being added. Further details in our calendar.

Blackmore’s Night will do another three dates stateside — October 28 in Northampton, Mass., October 30 in NYC, and November 11 in Atlantic City.

Four performances of Jon Lord’s Concerto for Group and Orchestra have been announced for April 2023 in Brazil. Paul Mann will be conducting. Bruce Dickinson singing the lead, with the band comprised of John O’Hara (Jethro Tull) on keyboards, Tanya O’Callaghan (Whitesnake) on bass, Kaitner Z Doka (Jon Lord, Ian Paice) on guitar, Bernard Welz (Jon Lord , Don Airey) on drums and Mario Argandonia (Scorpions) on percussion. Details are below.

SAO PAULO
Date: Saturday, April 15, 2023
Venue: VIBRA SÃO PAULO
Address: Avenida das Nações Unidas, 17.955 – Vila Almeida
Doors opening time: 19:00
Show start time: 21:00
Caution: children under 18 years old allowed only with the authorization of the legal guardian.

Tickets: www.uhuu.com

CURITIBA
Date: Wednesday, April 19, 2023
Venue: TEATRO POSITIVO
Address: Rua Prof. Pedro Viriato Parigot de Souza, 5300 – Campo Comprido
Doors opening time: 20:00
Show start time: 21:00
Caution: children under 14 years old only accompanied by parents or legal guardian.

Tickets: www.diskingressos.com.br

RIO DE JANEIRO
Date: Friday, April 21, 2023
Venue: VIVO RIO
Address: Infante Dom Henrique, 85 – Flamengo Park
Doors opening time: 20:00
Show start time: 21:00
caution: children under 18 years old, entry is allowed only with the authorization of the legal guardian.

Tickets: www.showpass.com.br

PORTO ALEGRE
Date: Tuesday, April, 25, 2023
Venue: AUDITORIUM ARAÚJO VIANNA
Address: Osvaldo Aranha, 685 – Bairro Bom Fim
Doors opening time: 19:30
Show start time: 21:00
Caution: under 16 years old only accompanied by parents or legal guardian.

Tickets: bileto.sympla.com.br

Thanks to Monika Schwarz, Gary Poronovich, and Marcel Vinicius for the info.

The Dead Daisies have released another track from their upcoming album — Face Your Fear. The album, called Radiance, is going to be self-published and release date is set for September 30. Continue Reading »

For many years the band’s sales numbers have been a mystery — the record industry types like to keep their cards very close to their chests. The total worldwide sales number of 100 to 120 million records had been banged around at some time, without any supporting evidence.

An interesting article appeared on chartmasters.org in 2021 (the whole site is a bonanza for music lovers who happen to be numbers geeks). It gives both raw numbers for album sales and introduces the concept of Equivalent Album Sales. See a quick 2-minute intro video or read all the gory details.

This leads to some very interesting results. The raw numbers for album sales are as follows:

That leaves out a plethora of live releases, countless compilations, singles, offshoot bands, downloads, streaming, et cetera, et cetera. The Equivalent Album Sales (EAS) concept aims at addressing all that.

In short, 1 album = 1 full length music video (think Cal Jam) = 2 EPs = 3.33 physical singles = 6.67 digital singles = 1500 audio streams = 6,750 video streams. Yes, these coefficients are somewhat arbitrary, but they are what they are. You are invited refer to the original article and crunch the numbers with your favourite weights, if you’re inclined to do so.

Live albums and compilation sales are distributed to album sales proportional to how much each album contributes to the live album or compilation (e.g. streaming data suggests that Machine Head tracks account for 85% of Made in Japan listens, so 85% of MiJ numbers are counted towards MH album equivalent sales).

And the final result (drum roll):

Machine Head gets the largest boost — in addition to 9 million album sales, the final adjusted number gets closer to 35.5 million. That includes EAS of 24 million from live and compilations, 1.3 million from singles, and 750 thousand from streaming. It ends up as the best selling album of 1972.

Other albums with significant EAS boost:

• Shades of Deep Purple went from 1,625,000 purely album sales to 4,764,000 EAS;
• In Rock from 5,775,000 to 12,192,000;
• Burn from 4,060,000 to 7,921,000.

Once all is said and done, total worldwide for the whole career comes to 92.5 million equivalent album sales.

Notable records and achievements:

• At 23,630,000 EAS, Smoke on the Water is the most successful song from 1972.
• At 23,630,000 EAS, Smoke on the Water is one of the top 10 most successful songs from the 70s.
• At 23,630,000 EAS, Smoke on the Water is one of the top 25 most successful songs of all-time.
• At 8.6 million pure album sales, Deep Purple are among the best selling foreign artists of all-time in Japan.
• Deep Purple are one of the rare foreign acts to sell over 500,000 with both a single/EP and an album in USSR.

This is just a summary of a quite a long article. Check the source for full details.

One big caveat thought: the article does not give any sources for the raw sales numbers, and they are the foundation for all results and conclusions, so take everything with a grain of salt.

Edel has posted another video from the Düsseldorf 2005 gig — title track from the just about going to be released Rapture of the Deep. Continue Reading »

In this interview dated April 2022, Simon McBride demonstrates the right mix of cocky and humble, while talking about the differences between being a session man and playing under his own name, fanboying with Ian Gillan, hairspray rock, and other things. Continue Reading »