We’ve discussed previously the state of music business and where it’s going. Music is not alone in this state of transition. Every form of art is.
In preface to his recent novel Little Brother, Cory Doctorow writes:
If I could loan out my physical books without giving up possession of them, I would. The fact that I can do so with digital files is not a bug, it’s a feature, and a damned fine one. It’s embarrassing to see all these writers and musicians and artists bemoaning the fact that art just got this wicked new feature: the ability to be shared without losing access to it in the first place. It’s like watching restaurant owners crying down their shirts about the new free lunch machine that’s feeding the world’s starving people because it’ll force them to reconsider their business-models. Yes, that’s gonna be tricky, but let’s not lose sight of the main attraction: free lunches!
Free lunches, yoohoow! Who doesn’t like free free lunches? (Yes, I know there’s no such thing…)
But what about all these people who create the movies, musicians who write and perform the music, writers who write the books, you ask? How are they going to make a living?
Well, Cory Doctorow is one of those folks who puts his money where his mouth is. He is an accomplished writer himself. You can probably find his books at your local bookstore (look in the sci-fi section). He also puts all his books online under a Creative Commons license that allows unlimited copying, sharing and derivative work for non-commercial purposes. So you can download them from his website instead of buying in the dead tree form, if you prefer so.
Here’s his rationale:
Giving away ebooks gives me artistic, moral and commercial satisfaction. The commercial question is the one that comes up most often: how can you give away free ebooks and still make money?
For me — for pretty much every writer — the big problem isn’t piracy, it’s obscurity (thanks to Tim O’Reilly for this great aphorism). Of all the people who failed to buy this book today, the majority did so because they never heard of it, not because someone gave them a free copy. Mega-hit best-sellers in science fiction sell half a million copies — in a world where 175,000 attend the San Diego Comic Con alone, you’ve got to figure that most of the people who “like science fiction” (and related geeky stuff like comics, games, Linux, and so on) just don’t really buy books. I’m more interested in getting more of that wider audience into the tent than making sure that everyone who’s in the tent bought a ticket to be there.
By the way, giving away books for free didn’t prevent Little Brother from getting on the New York Times’ best selling list.
How’s the novel itself? In one phrase: it’s 1984 in the 21st century. It’s not without it’s flaws — I think it’s too didactic in places and I don’t always agree with the author’s politics. And the happy end is rather deus ex machina-ish.
But after all it’s intended for teenagers and it does raise some very important questions:
The 17 year olds I know understand to a nicety just how dangerous a computer can be. The authoritarian nightmare of the 1960s has come home for them. The seductive little boxes on their desks and in their pockets watch their every move, corral them in, systematically depriving them of those new freedoms I had enjoyed and made such good use of in my young adulthood.
What’s more, kids are clearly being used as guinea-pigs for a new kind of technological state that all of us are on our way to, a world where taking a picture is either piracy (in a movie theater or museum or even a Starbucks), or terrorism (in a public place), but where we could be photographed, tracked and logged hundreds of times a day by every tin-pot dictator, cop, bureaucrat and shop-keeper. A world where any measure, including torture, could be justified just by waving your hands and shouting “Terrorism! 9/11! Terrorism!” until all dissent fell silent.
We don’t have to go down that road.
If you think he’s a tinfoil hat wearing paranoid guy, I can assure you he’s not. (Nick carefully adjusts his own tinfoil hat). All the technology he describes in the book is either already being used or a mere few years away. It’s just a matter of time before the events described in the book become technically possible. The plot is set in 2010, to give you an idea.
If you know a teenager with a gypsy heart and are scratching your head for a present, you can do a lot worse than giving this book. And some adults should read it too. Especially those, who are enchanted with the seductive little boxes. Or simply don’t understand the consequences of using them.
You can get the book for free or buy it.
This concludes my todays soapbox rant. Be free. Be paranoid. Don’t trust anybody over 25. Even Svante. 😉