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Wasted Sunsets in Manchester

Deep Purple threw in a setlist surprise last night in Manchester on the first date of the 65,535th leg of their European tour:

1 Intro/Highway Star
2 Things I Never Said
3 Wrong Man
4 Strange Kind Of Woman
5 Wasted Sunsets
6 Rapture Of The Deep
7 Fireball
8 Contact Lost/Steve Morse solo
9 Sometimes I Feel Like Screaming
10 The Well-Dressed Guitar
11 Wring That Neck
12 No One Came
13 Don Airey solo
14 The Battle Rages On
15 Space Truckin’
16 Smoke On The Water

17 Speed King (incl. Roger Glover solo and rock/pop medley)
18 Hush
19 Black Night

Wasted Sunsets has never been performed live by Deep Purple before. However, Gillan did it on his solo tour in North America in 2006. We’ll leave you with this video to wet your appetite:

That was Dean Howard on lead guitar.

Nothing from the industry

Ian Gillan, Mühldorf, June 13 2009; © Nick Soveiko CC-BY-NC-SA

British newspaper Express & Star has published an interview with Ian Gillan where he takes potshots at showbiz in his home country:

We’d play almost anywhere. But the climate in the UK is not friendly. Nothing wrong with the fans, they’re brilliant, and I’m looking forward to these shows in November. The band is hot right now. But we’ll literally be flying through and I don’t know when we’ll be back next.

I look back with great fondness on the long tours we used to do for the British fans, 28-36 UK dates – it was just brilliant. And, of course, we still see a lot of those fans now. But from ‘the industry’ there’s nothing.

The Highway Star also gets a name check. Read the rest of the interview in Express & Star.

Interview with Ioannis

Graphic artist Ioannis has more than 165 record covers under his proverbial belt, including some that you might know very well. He kindly agreed to answer our questions.

THS: Your work with Deep Purple included cover art for Abandon (1998) and Rapture of the Deep (2005), and graphic design for Bananas (2003). Anything else?

Ioannis: I was introduced to Deep Purple, specifically, Bruce Payne (their manager) and Roger Glover, by a good friend Jim Lewis. He at the time managed Yngwie Malmsteen (a client) among other acts. He was also the VP of A&R with Polygram in the early 80s and had worked with Deep Purple and Rainbow.

Abandon cover art, © 1998 Ioannis, reproduced with permission.They had just completed Abandon and were running late in getting the cover art together. I sat at Bruce’s office and along with Roger, who has always been the art director for the band as long as I have worked with them, and discussed a series of ideas. About a week later I showed them several concepts, the cover that eventually became Abandon was one of them. I then was asked to design a tour book, which I did with Roger, merchandise and tour laminates.Abandon tour merchandise artwork, © 1998 Ioannis, reproduced with permission Since then I have worked with them on every studio release (compilations and best offs are usually designed in-house by the label and the band is not involved creatively). So to fully answer your question, yes I did the singles, merchandise, tour books and tour passes for the tours. I also was asked to design promotional posters during the Bananas tour.

THS: How much creative freedom did you have during these projects?

Ioannis: They pretty much let me run with it so they can see the first batch of ideas, then Bruce and Roger get heavily involved in the final. In the case of Bananas, they had the concept and presented me with two photos to work with.Bananas tourbook artwork, © 2003 Ioannis, reproduced with permission One was from a company in Hong Kong, I think, which became the tour book, and another was a photo Bruce took, which became the cover. For Rapture of the Deep, Roger had this cartoon that he found, he intended to use it as the basis for a concept he wanted but at the end we ended up using the cartoon. Ian Gillan liked it a lot.

On the tour book art I co-designed the first with Roger (Total Abandon) but the last two I did my own thing with direction from Bruce Payne. Haunted single artwork, © 2003 Ioannis, reproduced with permissionOne of my most favorite images that I did was the singles cover art for Haunted off the Bananas album, which the band loved, and was also used as a T-shirt.

THS: Overall impressions from working with Deep Purple?

Ioannis: They are pros and really get involved in the final piece. Specifically, Roger. Bruce tries to keep it all moving along so we don’t miss deadlines.

Roger is extremely creative, always looking for the best approach trying to always keep it interesting, he is a good artist and photographer by the way. I always like the fact that he challenges me when we design, to do the best I can. He also is very easy going and has a great sense of humor.

THS: Was it any different from working with other bands?

Ioannis: Yes in the sense that like their peers that I also have worked with — Uriah Heep, Lynyrd Skynyrd, King Crimson, Blue Oyster Cult, etc — they take their craft very seriously and all aspects down to the art and packaging. I think it’s the generation they are from. It’s more spotty with contemporary bands, which I think is a huge mistake. Great packaging and branding can yield huge results if done properly with the band’s music — Yes, Pink Floyd, Iron Maiden are examples that come to mind — plus they pay huge dividends in the merchandise arena. The latter has become a big focus in today’s times.

THS: Anything else you would like to tell us?

Ioannis: Do you have an hour? 🙂 The last time out was a bit memorable, we were really behind schedule, so Roger would come to our office for about a week (we don’t live far from his house and the management) from morning until late afternoon, and we worked diligently on all the packaging configurations until it was all done. We had great laughs and amazing stories he told us, he even went one day to get us lunch at MacDonalds which was surreal, hah ha ha!

In closing I just want to say that this was an honor as I was a reader of The Highway Star before Deep Purple hired me. Me and my brother George, whom I run the firm with, have been DP fans since we first saw them as kids during California Jam. For me Machine Head was the first rock album I bought along with Uriah Heep’s Demons And Wizards. I now work with both acts.

Finally, as your readers know, we did commemorative prints when Deep Purple debuted playing Machine Head in its entirety, only 25 artist proofs exist, they are numbered and signed by me and the band. All income earned are being donated to the TJ Martell foundation to find a cure for cancer. I know times are tough but please buy one if you can, they are very valuable, come framed, matted and with a certificate of authenticity and it’s a great cause.


We would like to thank Ioannis for finding time in his busy schedule to answer our questions. We already wrote about the sale of the commemorative artwork, which can be purchased through his website Dangerous Age (directly to the artwork).

Where extremes meet

Steve Morse, Cosmo Music Hall, Toronto, Oct 18, 2009; Photo: Nick Soveiko CC-BY-NC-SARitchie Blackmore, House of Blues Chicago, Oct 17 2009, Photo: Nick Soveiko CC-BY-NC-SA

October this year saw both banjo players touring the Eastern part of the North American continent with their respective bands. Which gave some of us the opportunity to see Blackmore’s Night and Steve Morse Band within a matter of days.

Yours truly was busy with the so called real life, but finally got around to process pictures I took at both gigs. Here they are:

Before you ask, all the pictures are published under the Creative Commons Attribution NonCommercial ShareAlike License.

Many thanks to Daniel Bengtsson for all his help, and to Minstrel Hall and T.J. for cooperation.

Triple Trouble competition

Caramba gives you a chance to exercise your wit and win a signed copy of Triple Trouble:

Win a signed copy by answering the simple question:

‘How many songs has ig written and why?

Obsessive attention to detail not necessarily rewarded. Answers, not on a postcard, to: HERE

We’ll leave you with this piece of video contemplation. Overdid it with the beer:

Thanks to Steve Campbell for the info.

Steve Morse Band: presidential guitarist

This was simply an amazing show. I was able to get to stand directly in front of Steve and watch him master that guitar. He played several songs from his new album mixed in with older material. Everything was amazing.

When Steve Morse walked onstage to start his show fans screamed “Steve!”, “We love you Steve” and one guy yelled “Steve Morse for President!” Not a bad idea.

Steve played before for about 300 people at the Jaxx in Springfield, VA. There were a few folks with Purple shirts on but most were die hard Steve Morse fans.

The show lasted about two hours though I lost track of time. The thing that stands out about the show besides the phenomenal guitar playing was the charisma Steve has on stage. If Steve ever plays a club near you… GO!

Misty-eyed night with Blackmore

This was one of the best shows I’ve been to in a long time.

It’s been years since I’ve seen Ritchie perform live as the opportunities are few and far between. I see DP whenever they come around but in a way, this was more fun. My impression of Ritchie as dark and moody has changed for sure. He was light hearted and joking around, having a great time. The crowd was fired up and that must have made a good impression on him as well.

The music was great. Candice was amazing. They even did a cover of Rhiannon by Fleetwood Mac. As I said, it was a joy to see Ritchie so happy. He was handing out drinks to the audience, playing to role of bartender. Soldier of Fortune was fantastic as was Diamonda and Rust. The band was great. Very tight and full of energy. I used to think it was a shame that Ritchie and Ian parted ways but I think it was for the best.

Ritchie seems to really enjoy performing now. He was a first class gentleman and showman throughout. I expected to get impatient waiting for the white Strat to appear but I wasn’t at all. The BN songs were great and come across really well live. It was a treat to see and hear Ritchie play acoustic guitar. He’s equally good on acoustic and electric!

When the Stratocaster magic did begin, it was amazing. I’m not that emotional of a guy but I got a little misty-eyed seeing my guitar hero and idol playing his heart out to us. The more I think about it, the more I think he did the right think by leaving DP. His music has evolved and grown up. I don’t think anyone but Ritchie could make the Renaissance music work so well in combination with rock and acoustic instruments. It just works.

They are a great band. Keyboards, bass, violin vocals, they all just mesh wonderfully. I’m not posting a setlist but I can say there’s something for everyone in a blackmore’s night show. If you’re a Purple fan, you’ll love it. If you’re a Blackmore’s night fan, you’ll love it. If you’re a music fan, you’ll love it!

Stormbringer coming

David ‘Rock’ Feinstein told Classic Rock magazine a story of Blackmore the weatherman causing a riot by refusing to go on stage:

It happened when I was in Elf in the early 1970s. We supported Deep Purple at an outdoor show in the grounds of Cornell University, in Ithaca, Upstate New York. It was a three-band bill. We had the middle slot, with ZZ Top opening!

Anyway, I was in the car park beforehand with Ritchie, when he looked up at the sky and said: ‘I think we’re gonna get a storm.’ The next thing, he’s telling his guitar road to pack up his gear because he wasn’t gonna play in such conditions – remember, it was still dry!

ZZ Top were already on stage, but we were advised to pack up and get out of there, because once the crowd –- and it was a full stadium –- realised Purple weren’t gonna appear there would be real trouble.

It was was a wise piece of advice — a riot ensued, with all the bands having their equipment trashed.

The upshot was that it was the last rock gig Cornell University allowed to happen there.

And the weatherman in black was right in his forecast — it did rain that day.

Lemmy on Blackmore

The following feature may contain references to sex, drugs and rock’n’roll. Oh, and some bad language too. Dig in!
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Gillan — Live: Triple Trouble

Gillan Live: Triple Trouble cover art, courtesy of Demon EdselDemon Edsel is releasing a triple CD Gillan live set authorized by Big Ian himself.

No specific release date is available at this time. The 3CD set will be released in the UK on November 9 and available in other countries as an import.

Disc One

Recorded at London’s legendary Rainbow Theatre on 4th March 1981, with Bernie Torme on lead guitar. With the exception of one song, the performance is previously unreleased.

1 Second Sight
2 Unchain Your Brain
3 Are You Sure
4 Bite The Bullet
5 No Easy Way
6 Trouble
7 If You Believe Me
8 Mutually Assured Destruction
9 On The Rocks
10 Future Shock
11 Vengeance
12 New Orleans
13 Smoke On The Water
14 Sleeping On The Job
15 Lucille

Disc Two

Features the band’s triumphant headlining set at the Reading Festival on 29th August 1981, with Janick Gers on lead guitar. Only half of the songs have previously been available, on the 1981 release Double Trouble.

1 Second Sight
2 Unchain Your Brain
3 Hadely Bop Bop
4 No Laughing In Heaven
5 Bite The Bullet
6 No Easy Way
7 Trouble
8 Mutually Assured Destruction
9 On The Rocks
10 Vengeance
11 Smoke On The Water
12 New Orleans
13 Lucille

Disc Three

Features five songs recorded in April 1982 for BBC Radio 1’s Friday Rock Show and five songs from a concert in Nottingham in March 1981. None of these tracks have been officially released before.

1 No Laughing In Heaven
2 Hadely Bop Bop
3 Vengeance
4 Mutually Assured Destruction
5 Born To Kill
6 Second Sight
7 Unchain Your Brain
8 Trouble
9 If You Believe Me
10 Lucille

Artist: Gillan
Title: Live: Triple Trouble
Format: 3CD
Label: Demon Edsel
Cat No: EDSX3006
Genre: Rock and Pop

Order it from a store near you:

Thanks to Jim Collins and Demon Edsel for the info.

||||Unauthorized copying, while sometimes necessary, is never as good as the real thing
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