Team Rock has the new album track-by-track comments from Roger Glover:

Time For Bedlam

At the end of a jam that sounds promising, I’ll ask if anyone in the band has a working title for the song. Time For Bedlam was one of mine — it’s a fun play on words — and occasionally a working title will present itself as a proper title. It was even considered as an album title at one point, but we were talked out of it.

When we write the songs, we steep ourselves in the atmosphere of the song and try and figure out what it’s about. And this one sounded vicious. Especially the keyboard solo. It was bedlam.

Hip Boots

I don’t know how true it is, but years and years ago I heard that the origin of the word ‘hip’ comes from a southern American phrase that says, “you can bury me up to my knees in shit, but I’ve got my hip boots on.” And I’ve had this in the back of my brain for 20 years. It’s a song about freedom, and about being above it all.

I like that fact that it goes into 3/4 time. To me, that’s a real kicker.

Continue reading in Team Rock.

Ian Paice did another phone-in interview, this time with WMOS that broadcasts out of Connecticut. He spoke to a rather impatient host (apparently a teenager, no less, and it kinda shows) about the new album, last year induction into RnR Hall of Fame, how to stay sane on the road, and other things.

Thanks to Blabbermouth for the info.

Glenn Hughes spoke to Australian magazine Loud promoting his upcoming tour with Music of Cream. He also mentioned that the new Black Country Communion album is due in mid September, and some sort of Purple-related movie is in the works (although it’s not clear whether it will be a documentary or based-on-real-events feature film).

Q: You released your autobiography in 2011. Are there any plans to issue an updated version to incorporate events such as the Hall of Fame induction?

A: There’s talk of it. I’m thinking of doing some other work about books and stuff… But I can’t really talk about it right now. But there’s going to be a movie, we’re working on a movie right now which will be out next year regarding some stuff I did in Deep Purple which was really, really wild stuff. Not so much drug stuff, but really stuff that, it’s in my book, so there’s some stuff we’re going to do from the book that will be made into a film. So that’s what’s going to happen next year, we’re actually working on it right now.

Read more in Loud.

Thanks to Blabbermouth for the info.

Paicey and Roger making guesses on relevance of various tracks played to them by SWR1
Continue Reading »

Release of the Deep Purple’s new album was the top story today, April 7, at the Deutsche Welle cultural news programme Euromaxx.
Continue Reading »

A very relaxed conversation with Roger Glover and Ian Paice as posted by German TV channel WDR
Continue Reading »

So here it is. One day before official release day. InFinite, the vinyl edition.

Reported to play at 45 rpm – presumably to achieve best possible sound quality from the vinyl – the tracks are spread out over all four sides.

This copy spins somewhere in Denmark and was delivered by the mailman today. Have you also received yours? And how does it sound, feel and taste? Let us know!

With thanks to Morten Overgaard.

With inFinite already out in some parts of the world, while in others still hours or days away, here is a brief roundup of early reviews from around the web.

The Rockpit:

The single that preceded the album ‘All I Got is You’ is quite possibly the best thing here, a track that manages to capture vintage sounds and past glories without sounding either too self-conscious or indulgent, all it really lacks is that killer hook, but it more than passes muster.

The rest of the album is as you might expect is a bit of a mix, though thankfully rather like it’s immediate predecessor ‘Now What?’ its a mix of the good and the very good, with, rather nicely, a lack of any too blatant or obvious filler.

themusic.com.au:

Some veteran rock outfits desperately attempt to recreate decades past on record, sonically and thematically. Conversely, this sounds effortlessly ’70s Purple, and it’s not just the bluesy licks, fat Hammond organ or Ian Paice’s distinctive drumming. Hip Boots’ Zeppelin-esque swagger scores; Johnny’s Band and On Top Of The World find vocalist Ian Gillan in his storytelling element. A middling Doors cover flatly ends an otherwise solid affair. Seasoned fans mightn’t be easing up on their copies of Machine Head or Burn anytime soon, but should give Infinite a shot.

AllMusic:

…InFinite is a winner; it proves not only that Now What?! was no fluke, but that Deep Purple, even at this stage, still have plenty left to offer musically and creatively.

Uncivil Revolt:

All in all, the fans are in for an enormously satisfying release that will last a while. And so are the masses, if they can finally wrap their head around a band they have no vast knowledge of, particularly in America, but of course everyone’s heard the name. A name that very well could be releasing one of their best albums to date, as well as their last. There is a sacred chemistry and ultimate spirit to this band that appears will somehow never fizzle. And the mastery of Bob Ezrin helps to maintain that pot of pure musical gold. Subscribe to what you will, but subscribe to them either way.

Add your review below.

Ian Paice and Roger Glover were guests on German Radio 21. And it resulted in an entertaining 20 minute interview, in which they were asked about their favourite drinks, what smartphone app gets the most use, which person they’d like to become for a day, and a whole bunch of other amusing nonsense. You can watch the interview on facebook. The introductions and chatter are in German, but the interview itself is in English.

Thanks to Yvonne for the info.

The same issue of Burrn! also features an interview with Ian Gillan and a short review of inFinite (not very flattering). Apart from the things that have been said elsewhere during this promo campaign, Ian gives his track-by-track of the lyrics. Once again, exercise caution as this is just the gist of it and in reverse translation from Japanese.

Time for Bedlam
This is about frustration regarding the “system”. The lyrics are impressionistic. Roger wrote most of the lyrics in this album. In this song, I just added some phrases to Roger’s idea.

Hip Boots
This is about the boots that come up to the hips that slaves in the US wore when escaping by the Mississippi. They brought the music along when they escaped. So the message is about hope.

All I Got is You
This is a simple song about a couple breaking up. You can tell that the music develops as a result of some jamming. It also shows how naturally the band is playing in the studio.

One Night in Vegas
Lyrics by Roger. A guy goes to Vegas, gets drunk, meets a girl, and gets married within 10 minutes of meeting. It’s a miracle, but they are together after 30 years.

Get Me Outta Here
Idea by Roger. He is in some undesirable situation, I am not sure what it was. I’m just imagining, since I have not been in such a situaion all that much myself.

The Surprising
This is really an instrumental tune. Very impressionistic.

Johnny’s Band
Kids get together, form a band, play gigs, make some hit records, then get influenced by alcohol and drugs. People leave one by one, but two guys remain and continue to make good music. And everyone sings together. It is quite emotional. We have seen this happen many times.

On Top of the World
Ian’s wild experience in an Asian country, on top of a tall building. [As documented in his autobiography. — THS]

Birds of Prey
Again, Roger’s song, I don’t know what it is about, but very impressionistic. This is also basically an instrumental tune.

Thanks to Akemi Ono for the info.