Singapore setlist
Metaltalk has a brief and, frankly, rather superficial review of the Singapore gig. Of interest, might be the setlist, which can give an idea of what to expect throughout the summer. At least, until July 19th. Continue Reading »
Metaltalk has a brief and, frankly, rather superficial review of the Singapore gig. Of interest, might be the setlist, which can give an idea of what to expect throughout the summer. At least, until July 19th. Continue Reading »
Early rock’n’roll guitar pioneer Duane Eddy has passed away:
Duane Eddy, a pioneering guitar hero whose reverberating electric sound on instrumentals such as “Rebel Rouser” and “Peter Gunn” helped put the twang in early rock ‘n’ roll and influenced George Harrison, Bruce Springsteen and countless other musicians, has died at age 86.
Eddy died of cancer Tuesday at the Williamson Health hospital in Franklin, Tennessee, according to his wife, Deed Abbate.
Ritchie Blackmore responded to his death:
Just heard about the passing of the wonderful Duane Eddy who was my first guitar idol with songs like Rebel Rouser, Shazam, Some Kind Of Earthquake. I would always rush out and buy his long playing records. My favorite all time tune from him was The Lonely One.
He was a brilliant guitarist in his own right. He was the first guitar player with that deep bass sound which I loved. Unfortunately, I never saw him live, although I tried to see him playing on a couple of occasions. One particular time, when I was 12, I went to London airport to meet him. I sat there for hours waiting, so I could get a glimpse of him. After 2-3 hours, I asked the ground staff what time his plane would be in as it was obviously delayed. They told me his plane actually came in early and I missed him. That was my first of many futile attempts to see him. But I would play his music night and day.
He was very kind to me last year, because I had missed him on so many occasions, he sent me a Gretsch Guitar as a present for Christmas. I couldn’t believe it.
He will always be my number one inspiration from the time I took up the guitar until now. He was so unique in his playing.
The world has lost a great guitar player. A truly unique guitar player.
Our hearts are with Deed and his family.
Thanks to Blabbermouth for the info.
The first single from =1 is upon us. Continue Reading »
Steve Morse has appeared on the Stalwarts Of Music podcast. From inside his tractor in Florida, no less. The Bandland festival is mentioned as “happened last month”, so the interview must have taken place some time in January 2024. It’s a long chat, with lots of hay overturned, and Steve’s tenure in Purple discussed in depth. Dig in! Continue Reading »
A gentleman going by Mr. Zero has published in his blog a pretty detailed write-up of Tommy Bolin’s collaboration with Alphonse Mouzon on the latter’s album Mind Transplant. That recording, along with Tommy’s work with Billy Cobham, got him noticed by the big boys and an audition with Deep Purple a year later.
> The Real Thing <
Here’s where the story really unfolds for me.
Tommy Bolin (1 Aug 1951:Sioux City, Iowa – 4 Dec 1976: Miami, FL) had left the ‘James Gang’ in Aug ’74 & he & Stanley Sheldon (19 Sep 1950: Oattwa, KS) on Bass & Mike Finnegan (26 Apr 1945: Troy Ohio) on Vocals & Keyboards & Guille Garcia on Percussion & Marty Rodriguez on Drums were trying to reform a new version of ‘Energy’ which fell apart in a mere 3 weeks, although some demo recordings were made like “Sooner Or Later” (found on ‘Whips & Roses:2’), “Side Walk Strut” & “Shot My Baby Down” this Line-up did perform @ least 1 live show in Denver as a 9 song live tape exists. Then Bolin & Sheldon recorded 3 demo songs for Dr. John’s ‘Hollywood Be Thy Name’ in Nov ’74 the title track “It’s Your Freedom” & “Stick With Me”. Also sometime in ’74 Bolin sat in with ‘Weather Report’ & recorded 11 songs, perhaps as demos or jams.Bolin was always prone to sit in with anyone who would let him, one time he had sat in on a jam with Mouzon & Coryell of ‘Eleventh House’ in a club in Boulder, CO. sometime in late ’74, Mouzon knew of Bolin by his guitar work on ‘Spectrum’ (1973 Atlantic Records), by; Billy Cobham (16 May 1944: Panama) with Jan Hammer (17 Apr 1948: Prague) both formerly of the ‘Mahavishnu Orchestra’. Mouzon was wanting to record a Fusion Jazz LP of his own, in the vein of ‘Spectrum’, so Mouzon booked some studio time on 6 Oct ’74 @ ‘Glen Holly Studio’ (named after the street it was located on), in Beechwood Canyon- Hollywood Hills, with Bolin on guitar, as it was one of Bolin’s favorite places to record, because it was owned by Bolin’s sometime business partner; Phillip Polomeni (23 Jul 1951: Brooklyn, NYC, -3 Feb 2014: L.A.) along with Stanley Sheldon from Bolin’s band ‘Energy’ & Rocke Grace on Keyboards. As with almost any sessions held at ‘Glen Holy Studios’ they were recorded,
Read more on mrzeros.com.
And we’ll leave you with some very topical fusion extravaganza for your listening pleasure:
Thanks to Uwe Hornung for the Mr. Zero’s link.
Ian Gillan was interviewed by Singapore’s The Straights Times. He spoke about the gig Deep Purple are about to play in the country and the upcoming new album:
We haven’t done a show since before Christmas because we’ve been working flat out on a new record. So everyone is like a caged lion at the moment. We’re going to explode with energy when we hit Singapore. Everyone’s very excited.
We’re going to do one song from the new album. It will also be the world premiere of its live performance, which is very exciting too.
I found myself being asked by a robot to prove that I’m a human being by filling in a matrix of traffic lights. And I tried, but they were all blurry and hard to pin down, and I failed to prove to a robot that I’m a human. The world is going totally insane.
And I suddenly had this desire for simplicity. So I started doodling, and I made a long equation. It was a really long, complex equation, but it equalled one. This is what we do in our lives every day, all these complications.
Read more in The Straights Times.
It is official — the new Deep Purple album is called =1, and the release date has been set to July 19, 2024.
But Deep Purple is more than just their members and ‘=1’ embodies the essence and attitude of their 1970s incarnation possibly more than any other album in recent memory. With the legendary Bob Ezrin once again producing, the record evokes the pioneering band’s classic sound, without relying on nostalgia.
The enigmatic title ‘=1’ symbolises the idea that in a world growing ever more complex, everything eventually simplifies down to a single, unified essence. Everything equals one.
Its full meaning will be revealed in the coming weeks, with the artwork also playing its part. Fans have already been speculating after mysterious equations and depictions of multiverses appeared in London, Paris, and Berlin in recent days.
Track listing:
The first single is due on April 30th, and little birdie told us that it might be Portable Door.
Available formats for the album will include CD jewel case, CD+DVD digipak, 2LP (in crystal clear, picture disc, black, and purple vinyl), and cassette (sic!).
DVD content:
Access All Areas documentary with exclusive Deep Purple Behind-The-Scenes footage
Duration: 57 min
Screen Format: NTSC, 16:9
Audio: PCM Stereo
Region Code: 0
Disc Format: DVD-5
Language: English
Subtitles: English, German, Spanish, French
There will also be a box set (pictured above), including
Pre-orders are available via this link, and there is plenty of merchandise in the official store.
Thanks to janbl, Nohrmann, Stathis, and our editor emeritus Benny Holmström for the heads-up.
Glenn Hughes will embark on another US tour this September. He will be performing his Purple set, the tour is billed under the ‘Celebrating 50th anniversary of Burn‘ moniker. It will start on August 30 in San Juan Capistrano, CA, loop around the country in 16 dates, and finish back in California on September 28th, 2024. Chris Lafferty will provide support for the shows. Full details in our calendar.
A series of cryptic messages appeared over the past few days on various social media accounts affiliated with the band. They revolve around a new handwritten logo and an elaborate math equation, which (if my calculus serves me right) equals to one.
The timing and style of the said cryptic messages make some people to believe that this is the start of the promotional campaign for the anticipated new album.
Thanks to Tobias Janaschke for the heads-up.
Guitar Player reprints online an excerpt from a vintage interview with Ritchie Blackmore that was first published in the July/August 1973 issue of the magazine.
Did you ever have lessons?
I had classical lessons for a year. That helped, because I learned how to use my little finger. A lot of blues guitarists play with only three fingers, so they can’t figure out certain runs that require the use of their little fingers.
Besides getting you to use your little finger, has classical training affected your playing in any other way?
I would say that it shows up most in the music I write. For example, the chord progression in the Highway Star solo – Bm, to a Db, to a C, to a G – is a Bach progression. The classical influence is always there somewhat, but I don’t intentionally use it that much really. I play a lot of single notes, and that’s not classical.
Continue reading in Guitar Player.