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Back to the bierhaus
In the latest installment of Tales From the Bar Paicey reminisces about his stay in Hamburg in 1967 with The Maze and the shenanigans that ensued.
Read more »The fire that burned
Ken Hensley — multi-instrumentalist, songwriter, singer, producer, and founder of Uriah Heep — has passed away on November 4. Glenn Hughes pays him a tribute on social media: So deeply saddened to hear that my long time friend & Brother, for five decades, Ken Hensley @uriahheepofficial ,has passed. An incredible songwriter, guitarist and keyboard player, […]
Read more »C’mon drummer, let it go
Paicey reacts to Stormbringer cover by a Russian tribute band Leonid & Friends.
Read more »Drummers of note, part 2
Paicey’s Drummers of note continues today, October 29, with the second installment that will premiere in about 2 hours, or around 18:00 UTC. There will be a live chat available on Youtube.
Read more »A jazz piece in 5/4
Paicey talks about his favourite drummers. Unsurprisingly, many of them come from jazz.
Read more »He was a mighty guitarist
Craig from the venerable Everyone Loves Guitar podcast has put together a tribute to the late Eddie Van Halen. 16 prominent guitar players speak about EVH. That includes our own Steve Morse starting at 51:16 mark.
Read more »Soul crushing in Milan
A new episode of Paicey’s Tales from the Bar. “This episode contains a stripper!”
Read more »That was an improvement
Paicey’s Drumtribe is back after a brief hiatus with the next installment of Tales from the Bar — the early morning edition.
Read more »The man who reinvented the guitar
Eddie Van Halen passed away on Tuesday, October 6, from complications due to cancer. Ritchie Blackmore paid tribute to the fellow guitar wizard: Eddie Van Halen was a brilliant guitarist who started a technique of guitar playing which was emulated by a whole generation of guitarists. He was one of the nicest musicians I ever […]
Read more »Whoosh track by track
Ian and Ian give a track by track overview of the new album. It’s a 17-minute crash course into the lyrical universe of Whoosh for those who do not follow Caramba’s wordography.
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