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Issue 247, dated Dec 2021/Jan 2022, of the UK’s Powerplay magazine features Deep Purple on the cover with a Turning to Crime feature inside. “We like to do a thing called ‘Purpleising’,” says Ian Gillan about Deep Purple’s latest release, their first ever whole album of cover songs, “and in that I mean that musically […]
Read more »Classic Rock magazine has another Deep Purple cover on issue #295 dated December 2021. The magazine also includes an exclusive 4-track CD containing 7 and 7 is from the upcoming Turning to Crime, Step by Step from Whoosh!, plus Pictures of Home and Bloodsucker recorded live in Rio de Janeiro on December 15, 2017. Both […]
Read more »There is a David Coverdale feature in the British newspaper The Independent. He began writing “secret little poems”, which eventually became lyrics once he’d taught himself the chords to The Yardbirds’ 1965 single “For Your Love”, and as a teenager he sang in a handful of local bands. Then, in 1973, destiny came calling while […]
Read more »A vintage interview with Ian Gillan, originally printed in the December 26, 1970, issue of the New Musical Express. Snob groups make Ian purple with rage By Richard Green It becomes a bit strong when groups get so selective in their attitude towards work that they cut their dates down to one or two a […]
Read more »Another vintage article about Deep Purple, which originally appeared in the New Musical Express on December 12, 1970. It is based on interviews with the two Ians and tells the story of troublemakers in Germany, Aston, Gardner, Dyke and Lieber, Big Ian’s involvement with the Jesus Christ Superstar, and work on the upcoming album that […]
Read more »A vintage interview with Ian Gillan by Allan McDougall originally published in the New Musical Express on November 7, 1970. This was taken at the Olympia in Paris, where the band had played on November 1. Roger is a fantastic bass player. I talked to Ian Gillan about Roger and he agreed. “Yeah, he doesn’t […]
Read more »This review of a Deep Purple performance at the Queen Elizabeth Hall in London on May 25, 1970 had originally appeared in the New Musical Express on May 30 that year: WHEN Jimi Hendrix broke up his Experience and went back to America, a huge gap was left in Britain. On-stage excitement was hard to […]
Read more »Music History for Those Who Are Able to Read has a new addition — a reprint of a contemporary review of the original Concerto performance that appeared in October 4, 1969, issue of the New Musical Express. “The gulf remains wide and unabridged.” “Pop and classics just don’t mix… so the pop group had its […]
Read more »A review of the Hallelujah single originally published in New Musical Express on August 2, 1969, was posted by Geir Myklebust in his blog Music History for Those Who Are Able to Read. Due to the brevity of the review, we take the liberty of reproducing it here in full. This is a review of […]
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Unauthorized copying, while sometimes necessary, is never as good as the real thing